Posted in Product Reviews on Wednesday the 20th June 2018 by Vicki Ormerod
Let me start off by saying, this will be the best haberdashery purchase you ever make! I haven’t felt this strongly about a product since I bought my new sewing machine. Do you feel like you are always buying repeat patterns? Do you like to keep your original pattern papers whole? This is the product for you. I am so glad I have this Swedish Tracing Paper in my collection because without a shadow of a doubt this makes tracing patterns so much easier.
In the past I have used baking paper as my tracing material of choice, it easy to buy and super cheap but if you’ve used it before you’ll understand the pain when it comes to sticking multiple sheets together, especially for long garments such as trouser legs. The sticky tape never sticks and you spend more time trying to find items heavy enough to place on top to stick it down. Well this tracing paper is a dream! It is 1m wide and 10m long so no need for sticking additional sheets on for the width. See the difference?
When it comes to sticking additional length on for adjustments for leg length or arm length the tape sticks to it strongly and makes like so simple.
It is lightweight and easy to use. I would call it material rather than paper because that’s what it feels like, extremely lightweight material. It is thin enough that you can easily see your pattern and essential notches through it but still strong enough for you to place pins through it and it not rip with ease.
One downside I did find is that certain pens actually bleed due to its porous texture. I ended up using pencils and good old fashioned biro pens to trace my patterns. Another thing I found was there were slight cuts in the paper/material which meant that it split in certain areas, but that may have just been my roll. It still worked extremely well it just meant I had to be slightly more careful with it when moving it around my tiny room.
Anyone who has those expensive patterns or who enjoys keeping their pattern papers intact this is the paper for you, this allows you to keep those patterns intact and you can use this to help make those tricky adjustments especially if you are multiple sizes like me. I have that lovable pear shape which usually means I have to adjust my patterns for a smaller top half and larger bottom half. This made that easier as I just adjusted the pattern straight onto the tracing paper. I actually made a mistake on one pattern and using a pencil I simply rubbed it out and started again. This paper was strong enough to handle my rubbings and still not break.
I am really pleased with this product and will be ordering it again once it runs out, but judging by the amount you receive and if you are careful and frugal it will last longer and have much more longevity than my old choice of baking paper. I’m planning on storing this carefully so that I can reuse it again. Without a doubt my new favourite item in my stash!
Thanks for reading,
I don’t like to admit how much of my time is spent on Instagram (let’s just say it’s the most-used app on my phone). When I’m not looking at cute pets, or lusting over other knitter’s yarn stashes, I’m looking at outfits and clothes inspiration.
Like most of us these days, Instagram has a big impact on what I choose to wear and also what I decide to make. Lately I’ve seen a lot of beautiful summer dresses, the ones I particularly love have been cream, button-down with tortoiseshell buttons, made from a linen, or crepe, with a nice relaxed shape.
Long story short, that’s what I decided to add to my ‘Summer To-Sew List’.
I was lucky enough to test out some of the beautiful Prestige Polyester Crepe Fabric from Minerva, which I immediately knew would work well for this summer dress project. Crepe is one of my favourite fabrics to work with, and this was no exception - in fact it was a dream to work with. It was easy to cut, sew and it drapes wonderfully.
I choose the cream colour which I think will be great for summer (if I can manage not to spill an ice cream down it of course!). Being cream, it is a little see-through, so if you’re creating a garment to be worn on your lower body, you’ll probably need to line it. I already had a little skirt slip that I knew would be fine to wear with this sort of fabric.
I didn’t have a pattern in my stash that would give the button-down, gentle skater shape I was looking for, so I looked for a pattern I could hack. I decided to go for a Leanne Marshall for Simplicity pattern, 1196. It’s one I know fits well on the bodice, with a full skirt, sleeves, and simple in construction. I made a few modifications to get the effect I was going for.
The pattern has a zip in the back of both the skirt and the bodice. Instead I cut the back pieces on the fold and cut two of the front pieces. I created a gentle V on the front pieces and left an extra few centimetres seam allowance. I made a facing for the front pieces to follow the line and reinforce the area I wanted to add button holes.
The pattern asks you to cut three of the skirt pieces, but to make the skirt less full I only cut two pieces and ensured the two sides lined up with the front opening of the bodice. Again, I made a facing for the skirt front. Another pattern modification I made was to increase the width of the sleeve pieces, as they were a little tight on my upper arms.
I already had some tortoiseshell buttons in my stash, and I think they work really well with the fabric. They also give the dress a bit of a vintage feel which I quite like. My husband even said this was the nicest thing I’ve made, so I’m counting it as a win.
I’d definitely work with this fabric again, and I think it would look amazing made up into some gorgeous wide-leg trousers for the summer. It’s the perfect weight for anything needing drape, but also a little weight. If you want to have a look at some of the other things I’ve been making recently, then you can find me over on Instagram at Instagram.com/craftworksblog.
Posted in Product Reviews on Tuesday the 19th June 2018 by Vicki Ormerod
Posted in Projects on Monday the 18th June 2018 by Vicki Ormerod
I didn’t have a plan for this Fabric! Then uuhhhmmm, flick-flick-flick through my patterns, OK this top will do and I asked for 1.5m. Then Burda magazine’s April issue came out, and Haaaalellujah! I saw this top (#116) and now I had a solid plan.
Now let’s talk a bit about the object of review here: The fabric.
First I want to say that this looks even better and expensive in real life. It’s a Lurex lacey knit in a mix of polyester, acrylic and wool. The knitted parts are a mélange pink with purplish greyish hues, and there’s gold lurex thread in lacy knit in the open circles. The pink part is not see-through, the gold lurex part is, which results in a semi-transparent effect in general. That’s the first interesting part about it. The second is that’s it’s warm and airy at the same time! The pink acrylic/wool bit is quite warm, but the open lurex bits are airy making this perfect for spring here in Norway. It’s soft to the touch too and you don’t feel the lurex against your skin as the pink parts are thicker so they lie against your skin, while the gold parts kind of float a bit above it!
When it comes to sewing and handling, I must say straight away this is not the easiest fabric to deal with, it’s quite stretchy, it unravels at the edges, you can’t iron it (lurex…) and as mentioned above there’s a difference in thickness between the pink and golden bits. This doesn’t at all make it a nightmare to work with however, you just need to be a bit more careful and patient.
For my blouse I used some remnants of rib jersey for piping and neckline, but since I deviated from the pattern which wanted me to first bind the back details then attach piping but I kinda combined the two, I attached the rib as piping then topstitched the seams for binding, I had to figure out the lengths myself…and I didn’t :D and ended up stretching the back piece quite a bit so it hung loose and ugly and I had to redo it…As I said: This fabric is stretchy!
I didn’t line my top and in most cases that’s OK, but the wrong light and the wrong shade and your silhouette is on display, so I might consider lining the front later, we’ll see.
My advice to you when using it is:
Use a walking foot and/or overlocker.
Don’t cut your seam allowances too narrow (keep 2-3cm then trim or overlock them later).
Use a piece of cotton fabric between it and the iron and iron at low heat. You’ll only need to iron it if you want to press seams anyway.
Double check what you’re doing and make sure you’re not overstretching before you sew.
And pin/clip in place before you sew.
I love my top! It looks so cool and stylish! I almost can’t believe this fabric I was only mildly interested to see turned into something I totally love. And the bit of extra care needed when working with it was totally worth it!
At this point you’d expect me to wrap up and thank you for reading, but I have a little surprise for you, or you can call it a bonus feature…Ta da!
Since I didn’t cut binding from the same fabric and used rib instead, and since Burda fabric recommendations are usually a bit optimistic, I had quite a bit of fabric left over. And I really wanted to do something about that, therefore: Shorts!
I could’ve made a second top, but I wanted to go a bit off-piste and make something unpredictable with it, such am I…the ever-experimenting seamstress!
I used another Burda pattern for these, #132 from 12/2014 issue which are actually pajama shorts. Unlike the top these had to be lined, so I used some leftover linen-look viscose woven fabric to line the legs and some jersey to line the waistband/yokes (I didn’t want to start inserting closures). I made it more out of curiosity believing this can never be worn, but the more I look at it the more I think that there’s nothing wrong with this with a T-shirt for the summer, don’t you agree?
Welcome to my first blog post for Minerva Crafts!
When I was asked to review Minerva’s new gingham Scuba Fabric I was super excited as I haven’t sewn with scuba before though I have several lengths of scuba in my stash awaiting a good project! I’ve noticed that gingham fabric has had a bit of a revival this year so nice and on trend too.
Scuba is a fabric that is rising in popularity but you rarely see it as a suggested fabric on the back of patterns. I’m sure this will change with time. I did some background research and found some really good tips on sewing with scuba. Cheryl, from Stitchy Bee, did a vlog on You Tube about the subject in March which I found very useful. Sarah, in the blog section of Minerva Crafts, reviewed the Named Gemma sweatshirt pattern in a reversible scuba which was also helpful background information. And issue 47 of Love Sewing Magazine ran an article on sewing with scuba.
I was sent the yellow and white gingham fabric. The yellow is quite a ‘bright yellow’ but if you suit that colour it’s a lovely spring fabric. I had a job deciding on what to make with it. I considered tops, dresses, jackets and even trousers (Jade ‘The girl with the bright red hair’) recently featured a pair of trousers in scuba in one of the main sewing magazines!
I finally decided to use a pattern I had road tested before and that I knew had a good deal of drape to show off the fabric. I chose New Look 6301 which is a wrap dress I had used on a Stretch Fabric course with Katya from Sew Pretty in Wimbledon.
It’s a great little wrap dress pattern with a choice of A line skirt or pencil style skirt. It also has sleeveless, short or 3/4 length sleeve options. I suit the A line style best and I thought it would demonstrate the drape of the fabric better. I chose the 3/4 length sleeve version. I made the size 10 and I didn’t need to make any alterations to the pattern.
The wrap is in the bodice only, so the skirt part is not wrapped. It has a belt that is sewn into the side seam and can be tied at the back or front, or if you prefer, you can do without it. It has some fine elastic threaded through a casing in the waist but it doesn’t make the skirt look too gathered when on.
Here are the main aspects of sewing with this scuba:
Firstly it is a dream to cut. I grew up with sewing shears and have only tried a rotary cutter in the past three years. I tested both scissors and rotary cutter on this fabric and it worked well with both. My favourite shears are the Fiskars Softgrip Dressmaking Shears because they don’t lift the fabric very much as you cut. The lower blade lies horizontal and the upper blade does the moving so there is very little slippage of the fabric. However, that said, the fabric is very stable and hardly slips around at all anyway - the layers of fabric seem to stick to each other quite well. It doesn’t curl at the edges either - phew!
I used pins and they didn’t leave holes. If you have very fine pins they would work best.
It has a lovely weight to it and so drapes beautifully for a dress fabric. It would also work well for a drapy top or skirt. It has a nice amount of stretch and quite a smooth surface. You could also use it for a more bodycon style.
Before making my dress I washed the fabric on a gentle wash and hung it over my landing bannister to dry. It laundered beautifully with absolutely no distortion of the fabric and no shrinkage.
I was cautious when ironing it but it coped well with steam ironing. I used a pressing cloth just to be on the safe side as stretch fabrics sometimes don’t tolerate high temperatures. It’s quite a bouncy fabric and I found the best way to get seams to lie flat was to iron them on the wrong side first and then finish them off from the right side.
Some people say it can be a bit hot to wear but I haven’t tried wearing my dress in warmer weather yet so I can’t comment. Certainly for a springtime make it’s perfect!
The only drawback I found was that the material is quite substantial so if you use your Overlocker to construct your garment it can be hard to sew across a seam - such as sewing across the sleeve seam when sewing up the side seam.
If I were making the dress again I would have sewn the centre back seam with my lightening stitch on my sewing machine and ironed the seam open instead of using my Overlocker. So when you attach the neckband your sewing machine won’t struggle to cross over the centre back seam. I love using my Overlocker whenever I can as it’s so quick to construct and finish all in one and the stitch gives natural stretch. However, there are times when an ordinary sewing machine with a stretch stitch (lightening stitch or zig-zag) can work just as well if not better! Especially when the edges of the fabric don’t really need any finishing as they don’t fray at all.
The bodice has a few pleats on each bodice piece that are sewn into the side seam and that give it a nice soft drape around the bust.
I used Formband to stabilise my shoulder seams. It is easy to iron along the back bodice shoulder seam before sewing the front bodice pieces to the back bodice. This stops the shoulder seam from stretching out on the hanger.
I finished my sleeve and skirt hems with a single turned hem and my twin needle which gave a really nice professional finish. I used a fabric marking pen and my Clover Measuring Tool to mark up the hemline.
The neckband on wrap dresses can sometimes misbehave and stretch out of shape. The combination of this lovely, stable fabric and a good pattern made this step very easy and it lay beautifully flat - helped by twin needle top stitching of the band seam allowance to the dress bodice.
So in summary I really enjoyed making this dress and found the scuba fabric lovely to work with. It has given me the confidence to start making my ‘stash’ scuba into other garments! Watch this space! If you are new to sewing with stretch fabrics it’s a great one to start with as it’s so stable. Ta-da!
Here's some photos of the finished dress...
Thanks for reading,
Posted in Product Reviews on Saturday the 16th June 2018 by Vicki Ormerod
I am lucky enough to part of the Minerva Crafts Blogger Network which has kept me in fine fabric and wonderful wool for a good few years. Sometimes I get the opportunity to try something new through them and an exciting email appeared asking for volunteers to join a book review collaboration with Wendy Ward.
Her new book Sewing with Knitted Fabrics is a comprehensive encyclopaedic offering of useful knowledge on sewing with stretch jersey fabrics along with a capsule wardrobe of patterns.
If you sew for yourself or your family you may find that making woven cotton dresses and skirts starts to become a little limiting after a while. I found this and once I had decided that I wanted to make most of my everyday clothes it became apparent that I needed to be able to sew jersey for T-shirts, tops, leggings, PJ's, loungewear and underwear.
The book contains paper patterns for tracing in the back. All of the patterns are interchangeable so the T-shirt pieces double up as a T-shirt dress, crop T-shirt, Long sleeved T-shirt and a natty patchwork detailed one. There is a creative element of building your own design each time which I really like.
Minerva asked me to try a pattern from the book and sent me a top quality piece of Art Gallery Cotton Jersey Fabric. I like a new learning challenge as you know so I went for a T-shirt with a shirring waist detail. I have not done this before so I referred to the section on winding a bobbin with shirring elastic and had a go on a practice piece first.
In order to mark the shirring sewing line, I cut the square outline out of the paper piece and then drew the grid on the fabric with a temporary pen. I drew it on the right side but I am showing you on the wrong side because it is easier to see.
Previously, I used trial and error, blogs and Youtube to learn to sew jersey but I wish I had had this book back then. The knowledge section of the book is really good. It is written for home sewers of a beginner level, however as a more experienced sewer, I still found it very stimulating but easy to understand.
The T-shirt was a triumph. It is worth mentioning that I made this entirely on my normal sewing machine without using my serger. The techniques in the book guide you to useful stitch selection, length and width choices which made sewing easy.
The fabric is a super quality - thick but with a nice stretch which made it easy to sew and beautiful to wear.
Next up I am going to make one of these dresses for my summer holiday suitcase with some Navy spot jersey from my pal Christina.
It is a good book for sewing stretch knowledge and I am so glad it is in my collection.
Thanks for reading,
Jo @ Three Stories High
I’m so excited to be on the Minerva Crafts blog for the first time. I got to try out this floral Jersey Knit Fabric to review for you. A quick intro for you: I’m Shelby, age 25, from Missouri, USA. I’ve been sewing pretty hard for about a year and a half, self taught.
Who was excited to hear that the #SewTogetherforSummer theme was wrap dresses this year? I’ve had Butterick Pattern 6054 on my #2018makenine, so it was the perfect announcement for me. I feel like wrap dresses are really flattering. I only have one shirt in the wrap style, so I’ve wanted to add that style in dress form. I’ve been on a bit of a big 4 pattern kick lately. I love Indie patterns but in the States, JoAnn has $2 pattern sales all the time, it gives me so many style options.
Butterick 6054 calls for 2 way stretch knits. This floral knit is just that. The back of the package does say wrong sides show. This jersey knit is a deep navy print on the front and a white on the back. So, I was hesitant, but after looking at the pattern, the wrong sides only show if the wrap front flaps open. I was totally fine with that.
I sewed up a straight size 12. The only change I made was lengthening it by 3 inches. I’m 5’7” and normally lengthen 1.5-2” on most patterns to have dresses hit me just above the knee. I had read on some blogs that this dress is a bit short, so I added a little extra. So unless you are on the short end, I recommend lengthening this. 3” was just about perfect for me, if I were to make it again, I might add ½” more.
I was a bit nervous while taking the photos that I was going to flash some people. It was quite the windy day. I will probably wear this with leggings or shorts underneath. This pattern is a full wrap, not a faux, so although the fabric overlaps. I need a bit more to feel comfortable. I also am wearing this with a cami underneath for extra coverage.
The construction of this dress wasn’t hard but it was very involved. This dress has darts, pleats, snaps, and slipstitching. There is a lot of basting, but I skipped some of that. The fabric took the darts and pleats pretty well. I had really only used darts and pleats on wovens so I was nervous about that. The pleats are a little tricky because they all stack up on each other.
This pattern has a snap and hook and eye to help keep the wrap secure. I love this feature. The wrap top I made, Simplicity 8424 does not, and I always find myself wanting to adjust the wrap.
The fabric looks so pretty in a wrap dress. The only part I struggled with the fabric was the hem. The white backing wanted to show through the stitching. I’m thinking hem tape might have helped, or maybe a zig zag stitch rather than straight stitching. I decided I could live with a few white dots along the hem so I did not redo it. I do not like unpicking things.
I would suggest waiting to cut out the neckband facing until the day you are going to sew it up. The knit rolls at the edges after a few days and it made my job a bit harder. That is just the way knit fabric works. Since the neckline facing is not very wide, it had to be unrolled and then folded. Extra steps I’d like to avoid. That also added a bit to my hem troubles.
Overall, I’m so excited to wear this. The weather here has been up and down, hot one day, snowing the next, not even kidding. This floral print has me ready for steady warmth. Jersey is such a comfortable fabric, so this will be worn a lot.
Thanks for reading,
Shelby @ Handmade Shelby
Posted in Projects on Thursday the 14th June 2018 by Vicki Ormerod