Posted in Projects on Sunday the 18th November 2018 by Vicki Ormerod
When I first saw this beautiful Cutspot Chiffon Fabric in wine, I knew it would be the perfect fabric to use for a fall outfit. Chiffon is a lightweight woven fabric and is typically used to make dresses or scarves. The woven fabric has a transparent appearance due to its mesh-like weave.
My original intention was to make the dress view in the pattern, but once it arrived in the mail, I knew I wanted to use this fabric two make two separate pieces. That way, I could wear a blouse and skirt together or separately. And sure enough, my outfit is almost as versatile as this pattern. Along with this blouse, I made a flat front elastic back skirt using this skirt tutorial on my blog.
For the blouse, I used the Sudley Pattern by Megan Nielsen. I love how many ways you can wear this blouse! All three versions of the pattern are reversible and include a keyhole feature in the design. I sewed their version 1 blouse with collar, hook & eye closure, and 3/4 sleeves.
There are two different pattern options for this dress:
A Tied Cropped Top with Skirt
Dress with a Flounce Top
What You Need to Make Your Sudley Blouse or Dress:
Version 1 Top: 1 ? yards (60”) - 2 ? yards (45”)
Version 3 Dress: 2 ? yards (60”) - 2 ? yards (45”)
Lining: 2 3/8 yards
Pattern: Megan Neilson Sudley
Hook and Eye (Optional - but I used it)
Lightweight fusible interfacing (Version 1) - I skipped this since my fabric was shear
Megan Nielson Patterns Review
I liked the design, layout of the packaging, and the pattern was easy to cut out.
Sewing Instructions for the Sudley
The design and layout of the instruction manual are simple, clean, but very detailed and easy to follow the instructions. The instructions for the pattern are easy to follow, and the images are great to reference if you have any questions while sewing this pattern.
The instructions manual included sketches of 15 different sewing options, which I loved. This small detail shows the adaptability of the pattern without having to create hacks of your own. There's even a notes section on the sketch page allowing you to add tips and suggestions for the next time you sew. This added detail is helpful, and I can see myself using this section in the future.
Sizing & Adjustments to the Sudley Blouse
This pattern runs true to size. I cut out a size small to sew but ended up sewing a size extra small. There is a lot of leeway in this pattern since it is designed to be a loose fitted blouse.
The Chiffon fabric was a perfect selection for this pattern and would be great to use to make a blouse dress or scarf. I absolutely love how my blouse and skirt turned out! I cannot wait to wear it and begin experimenting with different outfit combinations.
Thanks for reading,
Kelsey @ Seamlined Living
Hello, it’s Sue from susan young sewing here again. I’ve wanted to make a Simple Sew Cocoon dress for a little while as I’ve seen a lot of versions of them but I hadn’t quite got around to it because I didn’t have the ‘right’ fabric in my stash. Then I saw this gorgeous ruby red Crepe Fabric at Minerva and I knew it was just the thing to make a smart long-sleeved version of the Cocoon ready for the autumn.
It has a really lovely weight and drape, although it has the usual downside of crepe which is that it can fray quite easily so careful handling is essential to minimise this. There’s also a little bit of inherent stretch with most crepes due to the way the yarn is twisted, this one doesn’t have much stretch but it isn’t a problem with this pattern as it’s loose fitting anyway.
The beauty of a plain fabric of course is that you can just place your pattern pieces on without having to worry about one-way designs or nap (obviously don’t forget the grainline though!)
You’ll need some Vilene for the neck facings and I chose to cut 2 of the pocket pieces (you’ll need 4 in total) in lining simply because crepe is quite a ‘heavy’ fabric and I didn’t want them to drag down the dress too much from the inside. Another idea is to use a total contrast fabric for the facings and pocket bags, it’s an excellent way to use up scraps or fat quarters.
It’s a nice simple make and very quick to make. Don’t forget to stay stitch the neck edges before you start, you don’t want the V stretched before you get too far. (If this happens you can always try a good amount of steam to shrink it back. This often works but be very careful about the temperature of your iron on your particular fabric-you don’t want a melted mess instead of a slightly stretched neck!) After joining the shoulder seams I faced the neckline, trimmed down the seam allowance to about 5mm and then under stitched through all the seam allowance layers on the facing side. This is an important step because it enables the facing to turn crisply to the inside.
Another tip I’ve leant from doing alterations is that instead of hand-stitching the facing down where it meets the seams, I machine it. On the right side of the garment first make sure that the facing is sitting exactly in the correct position and pin it in a couple of places. Place the seam directly under the needle and carefully ‘stitch in the ditch’ for a couple of centimetres, pulling the seam gently apart slightly as you go. The idea is that you’re securing the facing down on the underside but the stitching from the top should be almost invisible. Repeat on the other shoulder seam and the centre front seam too.
I sewed the lining pockets onto the dress front and the crepe pockets to the back, this is so that when the pockets are hanging forwards inside the dress in wear it’s the crepe that might show, not the lining. Don’t forget to under-stitch close to the seam where the pocket bag attaches to the side seam too, as with the neck facing this helps the pockets stay firmly inside the the dress.
Lastly I joined the side seams and hemmed the sleeves and hem. When I tried it on I felt that the width of cuffs was a bit too wide and flappy so I reduced the width of them by about 5cms in total which I’m happier with.
I’m very pleased with how my Cocoon has turned out, the crepe sews up beautifully and presses like a dream. Any creases tend to bounce back out of crepe too which is useful if you’ll be sitting in your garment for any length of time. On the downside it can ‘seat’ a little bit so it’s worth considering a lining under it.
Thank you as always to Minerva for providing me with this lovely fabric, I hope you’ve found this useful and I’ll be back again soon with more sewing tips and advice.
Sue @ Susan Young Sewing
I’m writing this blog post from my hotel room in Lake Como as we are currently on family holiday. I saved this make so I could photo it here in Italy as I figured it’d be a bit more picturesque than my back garden in Sheffield!
I’d been anchoring after some fabric with lemons on for quite a while so this Art Gallery Jersey Fabric was the obvious choice!
I mulled it over whether or not I wanted a dress or jumpsuit in this gorgeous jersey fabric and decided eventually to go for a tried and tested pattern, the Avenir Jumpsuit by Friday Pattern Company. The versions I have made previously have a long sleeve and 3/4 leg however knowing I was gonna be in the heat, I decided to hack this into short and short sleeve version. I have to admit I love it and it’s so comfortable to wear.
This is a super quick make and was mainly done on my overlocker. There was little need for pressing this garment at every stage too with it being jersey and done mainly on overlocker.
This suit comes together very quickly and I knew it’d be just perfect for my holiday wardrobe.
The neck has a separate neckband which I always find it easier to quarter the band and the actual neck of the garment then match up the pins accordingly. Generally I find it easier to sew the neckband into the bodice with my sewing machine and then overlock the seams separately. I find it goes on more evenly.
Once again the elastic is threaded through the neckline and waistline I always do the recommended stitch line to keep it in place. I tend to do it in line with the other raglan on the neck and the side seams of the waist and find this works well.
Make sure to keep a note of front and back until it’s time to put in your label and they are almost identical! Ask me how I know haha!
Despite having made this a couple of times previously, my brain was running at 100 mile an hour planning all the stuff I needed to get done prior to my hols, I managed to bugger up creating the elastic channel joining the top to the bottom! Remaking wasn’t an option so had to make the best of it however I did lose a couple of centimetres from the waist so feel like I need to keep pulling it down to avoid the “camel toe” effect lol! Although my girls assure me it’s fine and I’m being super paranoid!
I highly recommend both the fabric and the pattern and if like me, you want a shorter version for the summer months, it’s a super quick and simple hack to do. I basically just measured how much length I wanted removing and folded up the pattern accordingly. This worked fine and meant I didn’t need to reprint and re-stick another pattern when time wasn’t my friend! I will certainly be looking for more gorgeous fabrics like this one to make more for next years summer! Who knows perhaps there’ll be some darker tones suitable for my winter wardrobe too! The fabric has a good amount of stretch and recovers really well too. It feels very good quality and is no way flimsy jersey. I think this fabric could also work well in a more fitted garment due the good stretch in it. I’m thinking maybe a fit and flare or bodycon style.
Bye for now!
Posted in Projects on Saturday the 17th November 2018 by Vicki Ormerod
Being an avid fan of Named Patterns, I couldn’t have been more excited, when Vicki from Minerva kindly asked me to join the small team of seamstresses to sew pieces from the new pattern book “Breaking the Pattern”.
I’ve made quite a few much loved garments from their patterns over the year, like the Gemma sweater, Paola turtle neck or the Inari Tee dress, to name a few. They are all staples in my wardrobe and they are so timeless, I love wearing them over and over again - or whip up a new piece.
I’ve always worked with their pdf patterns, so the book was extra special for me. I really enjoyed browsing through the 20 patterns and pattern altering ideas. The book is made really well with good explanations and great pictures an illustrations. The patterns are also well thought out, very esay to trace and they have a nice place to be kept in the back of the book.
As the festive season is coming closer and closer, I chose a pattern for an outfit that would work well for a Christmas or New Years Eve party, the Solina Jumpsuit - in my current favourite pattern: leopard.
I really like a jumpsuit - it´s a flattering, stylish and easy-to-wear outfit. And on top - most comfortable! It is flattering, because of its silhouette, it automatically defines your waist, stylish because you can easily dress it up or down and it makes life easy with no time spend on thinking what to combine. That said, the additional benefit of a jumpsuit is the possibility to add interesting accessories, which gives the option to to wear it for a multitude of occasions.
My choice of fabric is a beautiful soft Crepe Fabric, that is really nice to wear, doesn’t wrinkle and has a great drape. I especially love this taupe Leopard print, it has a nice muted color and can be combined well with a bright color or more elegant with black. It does come in a brown color as well, which is a bit more flamboyant, I think.
The Solina jumpsuit has only 10 pattern pieces and comes together very easy. I believe the most challenging parts would be the invisible zipper (even though that´s actually the easiest zipper to put in once you get the hang of it) and the facing.
I quite love the slit trousers detail - it really make the piece stand out and sexy without showing too much. You can decide how high you want the slits to be - from office to date night its is all possible and up to your personal style.
As I choose a very light fabric, I decided to omit the pockets because anything in them would show very clearly anyways. If I had chosen a medium weight fabric, pockets would definitely have been added, no doubt. Pockets make any garment so much better, don’t you think?
For my version, I made a size 1, it runs a bit bigger, so that worked well for me. As the booked is called “Breaking the Pattern”, I decided to change up the shoulders and back a bit. The shoulders of my Solina jumpsuit are about 4 cm narrower and as I wanted a garment to wear to a festive occasion, I changed it up to a “V” for the back neckline instead of the high-necked original version.
The other change I made is the length of the slits in the trousers - mine are a bit longer, about 10 cm, than in the pattern. I wanted to complete the outfit with some over-knee boots and needed the length therefore.
I decided to skip the belt that originally come with the pattern, as it would not have stood out enough due to the pattern of the fabric. I wanted a black belt to highlight the waist and thus also make the legs look longer.
Other than that, I stayed with the original pattern and must say, I really look forward to wearing it at the next occasion.
Unlike the dress, the jumpsuit has short sleeves only, but a short jacket or the Paola turtle neck from their pattern collection could easily be combined with it and make it a bit warmer or more office suitable.
Posted in Projects on Saturday the 17th November 2018 by Vicki Ormerod
Hello sewing friends, my name is Mary, on Instagram I am @marythimble. This is my first time writing a blog for Minerva so I hope you like it. I am really glad to be here. My passion is sewing and I love talking about it too!
As we buy more and more online now I find it can be really helpful seeing fabrics made up and hearing how they perform. For this review I chose Satin Fabric and Lace Fabric, two fabrics I would not usually choose.
Let’s face it, they don’t really fit into an everyday lifestyle, not the sort of thing to put the bins out in or even wear to the supermarket! However, we all need a chance to feel a bit special now and again and this is just a little touch of luxury. Maybe as party season is in full swing or some friends had just gone to a ball, but posh frocks were on my mind, so I decided to rustle one up! Just as an aside, I grew up in the 70s and always think of Barbara Good desperately wanting a Posh Frock in the Good Life. Since then a formal dress has always been a Posh Frock. So here is my very own Posh Frock!
I chose turquoise satin and royal blue Chantilly lace to give a little contrast. The satin is crepe backed satin; however, as I think it is double sided you could also call it satin backed crepe! The backing gave it much more stability to work with and also more structure. This made it easy to use and sew and great for the final weight of the dress, giving it a little body but still hanging and draping as you would want a satin to. It was an unexpected bonus as I had been thinking I would have to line the dress and work out how to stabilise the fabric during sewing (spray starch was my fiendish plot!)
The lace has a lovely soft feel to it and a subtle repeat with no obvious centre point. I decided to showcase both fabrics, so only used the lace for the body and sleeves, so the satin could show itself off in the skirt. They contrast well together with the sheen of the satin being a feature through the lace but still highlighting the delicate lace and then shining in all its glory for the skirt!
I used a walking foot to avoid any slips or wobbles and fine pins and needle to be sure not to snag the fabric.
I chose New Look 6262 view C. The only modification I made was to shorten the bodice by one inch and lengthen the skirt by one inch. At 5 foot 3 inches this is fairly standard for me. View C is designed for an over layer fabric such as lace so was ideal for my plan. The instructions include how to sew the layers together. I thought the lace might be fiddly or wobbly to cut so I laid my cut satin pattern pieces face up and placed the lace over each of them. I could then see the lines to cut through the lace and also check it’s placement. I then pinned well and cut each piece. I could then leave the pins in place to sew the edges together within the seam allowance immediately.
When I made the skirt I followed the instructions for the other views without the lace overskirt. This pattern calls for an invisible zip. Now, I actually feel like a sewing queen when I put one in, but I know they can be tricky especially with matching the waist seam. With the contrasting fabrics at the waist it would have screamed if they were not perfectly aligned. I sewed one side of the zip as normal and then swapped my invisible zip foot for a regular zipper foot. I then closed the zip and carefully worked out where the waist should meet. At this point I sewed a few stitches through the zipper tape and seam allowance to secure it. I then sewed the entire length of the zip in place, again only on the tape and seam allowance. Finally I swapped my foot to the invisible foot and sewed the zip in securely. Definitely worth the extra few minutes. To illustrate what I did I have used a cream zip fir the picture, not my final colour zip!
Finally I used a blind hem for my sleeves and hem as I wanted to keep the overall appearance smooth with as little visible stitching as possible.
I hope you’ll agree this is definitely a Posh Frock. I am so pleased to be party ready now. Now, if you’ll excuse me I’m just off to reply to all my party and ball invitations as well as the odd Ascot date and a European royal wedding! I hear even Kate and Meghan are both asking for the Mary Dress!
Do join me on Instagram for more sewing makes and fun!
Thanks for reading,
Posted in Projects on Saturday the 17th November 2018 by Vicki Ormerod
Hello! We’re back again and this time we’re both sewing with some fabulous Art Gallery Jersey Knit Fabric. Strangely, despite sewing countless times with jersey for our boys, this is the first time that both Sofia and I have actually used it to make something for ourselves – so we were super excited!
Unintentionally, we both decided to use Grainline Studio Patterns for this challenge. Sofia went for a Linden Sweatshirt Pattern, choosing version B (the t-shirt version) and I went against the fabric recommendations and picked the Farrow Dress Pattern, as it had been sitting in my downloads waiting to be made for an age!
The Linden has been positively showcased on a regular basis on social media, and it didn’t disappoint. The pattern is very versatile; it can be styled up or down and suits Sofia’s style down to the ground. It was her first time sewing using a Grainline Studio pattern and she found the pattern really straightforward to use. With easy to follow instructions and clear diagrams, it’s a good entry point for those using jersey or knit fabric for the first time. The only mistake she made (probably due to sleep deprivation rather than anything else), was with the collar. Having rushed to finish the top, she forgot to distribute the fabric evenly along the neckline, making one side more gathered than the other, but rectified this easily with more careful pinning and easing the fabric through the overlocker more evenly.
Sofia chose the Cubist Perception Stretch Jersey, a bold black and white illustrated fabric that worked perfectly with the simplicity of the Linden cut. A top tip for this make is to pay attention to your finishes; clean and neat topstitching can really make a big difference in achieving a professional finish.
Sofia has already had several comments about her top, many asking her where it was bought! A pretty good testament to how well the fabric and pattern work together!
My fabric choice for the Farrow Dress was the En Route Gravel and to be honest I probably wouldn’t pair these two together again (a clear lesson to follow the fabric recommendations on the pattern!). The fabric is a dream to work with, so lovely and soft, and a great weight too that created a lovely subtle drape, however I felt it didn’t compliment certain elements of the make.
The dress pattern was easy to follow but I fell short whilst doing the facings on the sleeves and neck. They required fusible interfacing which eliminated any stretch, making it tricky to attach to the armholes or neckline without gathering. I ended up removing the fusible interfacing which meant that the fit was better, but the internal finish wasn’t as good as it could have been. I also decided against putting a hook and eye at the top of the neck because I didn’t want it to pull given the stretchy nature of the fabric. To fit in with my style, I levelled out the back hem on the dress so that it was a similar length to the front which looked much better on me!
Overall we were both really pleased with our Grainline makes and the opportunity to use Art Gallery Fabrics (if you want to sew with knits, they’re one of the best). Sofia is already planning a long sleeve version of the Linden and I’d definitely love to make a long sleeve winter version of the Farrow, but next time with my fabric choice, I’ll listen to the experts...
See you next time, and if you want to find out more about our makes, check out our Instagram.
Sofia and Leanne xxx
Posted in Projects on Saturday the 17th November 2018 by Vicki Ormerod
Posted in Projects on Friday the 16th November 2018 by Vicki Ormerod
It’s what we’ve all been waiting for since they announced it – it’s the new sewing pattern book from Named!
The Finnish sisters Saara and Laura have spent the year working on and creating their first book. It’s full of gorgeous patterns taking you from the simplest of projects up to the more advanced. If you’re familiar with their style – think classic with a twist – then you won’t be disappointed with what they’ve come up with!
I decided that my first (of what will probably be many makes) from the book would be the Solina dress! I’ve got a real penchant for long dresses at the moment and this one really tickled my fancy!
The Solina pattern comes in three variations – a maxi length dress, top and a jumpsuit. I chose to make the maxi length dress. The pattern features a mandarin collar, long sleeves and a centre front leg split. It also has an interesting tie detail inserted into a pleat in the front of the dress and around the cuffs.
I chose a gorgeous John Kaldor Crepe Fabric in mustard yellow with has a large-ish scale floral design over it for this project. The pattern ideally needs something with a bit of drape to it and this one was perfect for it.
The dress was faster to sew up than I’d expected! Just half a day of sewing let me achieve this little gem.
The pattern is beautifully drafted and went together easily. I made one adjustment to the pattern and that was to shorten the bodice length by an inch. Apart from that I sewed it exactly as instructed!
The instructions are laid out in a very similar way to the individual Named patterns which extra little tutorials inserted here and there which target specific skills. This particular project teaches skills like setting in sleeves and collars with a highlight on invisible zips.
It needs a bit of a press. I hadn’t realised how wrinkled it was until I’d photographed it! Serves me right for being too eager to wear it!!
It’s an interesting design, right? Simple, with elements that you’ve seen before, but never in this combination. I love how the waist ties draw the eye in to my narrowest part. I think the fun yellow print keeps the dress light and fun despite the fact it’s quite covered up.
The only thing now is that I can’t quite decide on how to wear my hair with it!
We all know ‘Christmas is coming!’ and I’ve been lucky to be selected among the crafters to work on some Christmas projects for the Minerva Crafts blog this year.
Welcome ‘Operation Christmas Jumper’. I’ve been thinking of making one for ages. Being let loose on the Minerva Crafts online shop can be a little daunting as there are a lot of lovely products which makes choosing what to get a bit difficult at times. But it gets easier once you have a plan. Mine was to find the supplies for a Christmas jumper. This narrowed my search and my task became a lot more simpler. Which means it did not take me long to settle on a Vogue ladies top pattern and 3m of Christmas themed fabric.
Once I got the fabric, and having a better look at the pattern, I decided I prefer the sleeve option from View D and E. I cut all my pieces in a size M. But there was still a lot of fabric left. This became a challenge for me with the objective to cut another top (View E). I was OK with the bodice pieces. But, I did struggle with the sleeves. Inspired by the pattern envelope, I tried to use as much as possible the leftovers to cut them, this is how I ended up with modified sleeves, one red and one pieced together from the two fabrics. Who said the sleeves have to be the same?
And believe it or not, I still had some pieces of fabric that were big enough to be used in something else. I thought it would be fun to have matching knickers as well as minimising the amount of fabric to throw away (I donate my unusable pieces to charity to be recycled). I managed to cut two pairs of Meghan Nielsen Acacia. So ended up with 3 tops and 2 knickers. Not bad for 3 m of fabric!
I worked on all three tops at the same time and most of the construction took place on the overlocker/serger. Because I knew I was using the overlocker/serger for the construction I reduced the seam allowance to 0.5 cm from 1.5 cm. With most of my knitted fabric projects I stabilised the shoulder seam with iron on bias tape.
I finished off the neckline with a double needle to keep it flat. Also, this gives the top a professional finish look.
Hems were also finished with the double needle. But, to make my life easier, I prepped the hems before I constructing the side seams on all tops. I did this by marking the hem with water erasable pen, pressing into place and then pining it.
Once the tops were ready, I made the knickers. They were done in no time. I used some elastic with a picot edge I had in my stash, enough for both pairs. I think all in all they were made in about 3 hours from cutting to finished items.
Among the three tops I made my most favourite is the one I did not initially plan, view D with modified sleeves. I know they are not the typical jumper design.
I did not shorten the original sleeve (view D/E) I used with View B, so the sleeve looks a little longer on me and not the 3/4 sleeve it was intended.
And if the Christmasy print feels too much, you can layer it up with view C.
Please note that the tops look longer on me because I did not shorten the pattern above the bust area as I usually do with Vogue patterns. I like them to be a bit longer which means I will get away with wearing leggings with them as well.
Thank you for taking the time to read my blog post. And please do share your makes on Instagram/Twitter by tagging @MinervaCrafts and/or using the hashtag #MinervaMakes. I’d love to see what you create.
Posted in Product Reviews on Friday the 16th November 2018 by Vicki Ormerod
I’m beyond thrilled to be writing my first ever blog for Minerva – and what an array of delights I have to tell you about!
With all the goodies on offer at Minerva, I’ll admit to being a bit spoiled for choice, so I plumped to review a range of Lucky Dip Fabric Bundles. If you’re not familiar with the lucky dip bags, they’re a random selection of remnants and roll ends, and they’re available in a range of colours and designs. I opted for the polka dot, stripe and stretch fabric choices – the first two because I love love love them, and the knits because, as a newbie sewist, I’m just getting into sewing with jerseys and wanted some practice.
I must admit to being a little worried that the pieces I received would be too small for me to make anything useful and I was pleasantly surprised that this wasn’t the case at all. My goodie bags contained large pieces of fabric, most of which were over a metre in length - and because jerseys are normally 60” wide you get even more bang for your buck with the stretch fabric bundle!
Here’s what I got in my goodie bags:
Stripes: two pieces of stripey silk of around 60cms, and a over a metre piece of black, white and silver striped ponte roma.
Spots: A metre each of black sequin and red and white polka dots (very Minnie Mouse!)
Stretch: A metre of black wet-look stretch fabric which would be perfect for leggings, and a really large piece of this stunning floral fabric. I’ve already worked out I can get a little playsuit out of this one!
I decided my first make should be a cami top from the very elegant turquoise silky fabric.
I really love the True Bias Ogden Cami Pattern but I didn’t have that pattern to hand, so I decided to borrow the bodice part from this New Look Jumpsuit Pattern which I’ve had on my to-make list for a while.
It’s a simple pattern with bust darts and neck facings. I’ll admit that trying to squeeze the pattern pieces onto my 60cm remnant was something of a challenge (and I sadly had to forgo the lovely flounce) but I persisted with my pattern tetris, and was rewarded with this beauty which is just the ticket for hot summer nights.
The construction was beautifully simple, and to be honest the cutting out took longer than the actual sewing! As ever with commercial patterns, keep an eye on the amount of ease and try and go by the finished garment measurements to make sure you get the right fit for you. According to the pattern I should have cut a size 16 but I’m not keen on such a loose fit so I cut my standard 12 which fitted well.
I finished the hem off with a pretty decorative leaf stitch to complement the aqua stripes.
I’m really pleased with how my cami top turned out, and over the moon that I managed to get it out of such a tiny remnant. It’s definitely a pattern I’ll be using again next time I have an odd half-metre of fabric left (and if you follow me on instagram @thecamdenstitch you can see the full jumpsuit I made a couple of weeks later!)
My next project was to try my hand at sewing knits, and this striped ponte roma was ideal. It’s an interesting fabric because it has a silver lurex thread running through one side, but on the flip side it’s just black and white stripes. I decided I’d get more wear out of the non-sparkly side which must be a sign that I’m growing old and boring!
I decided to use this Beginner’s McCall’s Pattern. The pattern has a few options to choose from but I went for the simple boat neck version.
Again, it was a bit of a challenge fitting my pattern pieces on the fabric, which was made even tougher by the stripes…I don’t like to make life easy for myself! I cut a size medium, which came up much too big. The loose fit actually works OK with the ponte but if I wanted a close-fitting t-shirt next time I’d size down to an XS.
The top was simple enough to put together using a combination of my sewing machine stretch stitch and my overlocker. Everything was going swimmingly until it came to the neck facings. Now to be fair to the pattern manufacturers this style is designed for a lighter weight jersey rather than a ponte, but despite me clipping, pressing and understitching the life out of the thing I could NOT get the facings to lie flat.
After a stressful half hour I decided to improvise. I removed the facings and cut two bands of fabric, one for the front and one for the back neckline. I folded each one double and overlocked the raw edges to the front and back of the neckline.
Then I grabbed my trusty snap set and added four snaps to the each side of the collar. I went for my favourite colour – egg-yolk yellow!
The finished top has a collar that can be worn up in a faux funnel neck style, or down to emphasise the boat neck. They say necessity is the mother of invention and I’m delighted I came across this little workaround – I love my funky top (and matching boots!)
Overall I loved the variety of the lucky dip fabric bundles. I’ve been following the #sewingleftovers hashtag on instagram and have been really inspired by other makers to be creative with small amounts of fabric – and hopefully these couple of projects will inspire you, too!